Tempo Squats To Improve Bracing

In my top 3 favorite squat variations video, one noticeable snub was the tempo squat. Like with many accessories, as my ideas and systems change and progress, how and why I implement certain variations changes as well. With tempo squats, that is probably one of the variations I have changed how I program, maybe the most. It used to be my go to variation for technique correction, but as discussed in posts/videos I have made about pause squats, my one issue is the difficulty in translating back to normal descent speed after a long bout of tempos. For me, I find it is much easier to transition from pause squats to regular competition squats, and @lift_ng did a great write up on that very topic in his most recent post that I’d recommend checking out (CLICK HERE).

But I still very much like tempo squats and utilize them. They do have a great self limiting aspect, they reduce the rebound forces at the bottom of the squat, and they can be instrumental in teaching and improving bracing mechanics. And that final point is what I really want to touch on, as I think that is where I have seen the most benefit from implementing tempo squats lately. A common issue people have is they inhale, they brace, and then that’s the last they ever think about bracing. Bracing is a constant action through the entirety of the squat. If the first thing we see as someone initiates the squat is their abdominals lengthening, that’s an immediate sign they have lost that initial brace. Now as it becomes habitual, it shouldn’t take voluntary effort at all times to think about squeezing and bracing. But, for those who struggle with immediately losing their brace as they initiate the descent, or they lose tightness and stop bracing as they try to rebound out of the bottom, tempo squats are my go to for this issue. Because of the slowed eccentric portion, you are forced to maintain that initial brace, or there is immediate negative feedback. As can be seen with Autumm (CLICK HERE), she noticeably improves her bracing when adding the tempo. Can we cue certain bracing patterns to accomplish the same thing? Yes, but not everyone is able to conceptualize that without first “feeling” what constant bracing and maintaining position throughout the descent feels like. And with adding the tempo, it typically forces a lifter into correct bracing patterns just due to the inherent difficulty it poses if they do not.

Should You Squat 3 Days A Week?

As a young coach, I thought there was magic in squatting 3 days a week. I would try to increase volume to warrant 3 day a week frequency thinking it would unlock some form of secret gains. I mean the more the better, right? But now, as what I’d consider a more experienced coach, I try to avoid squatting 3 days a week unless it is undeniably needed. And I’d say I have more people that I am dropping from 3 days a week down to 2 days squatting, than I am the opposite. Now this isn’t to say squatting 3 days a week is wrong, but more so that as I’ve grown as a coach I’ve learned that more isn’t always better. In fact, it may be what is holding some people back. 

To understand why you may not need 3 days a week of squatting, I think it’s first good to understand why someone may need 3 days a week frequency. To give some background though, at least in my time as a coach I have not yet encountered an athlete who needs 3 hard squat days. For bench, that is very common, and even sometimes up to 4 days. But for squat, I’ve universally programmed that tertiary day as low to mid volume and low relative intensity. So within this, there really are 2 main reasons I see the need for a 3rd squat day…..

1.) Skill Practice: Some athletes regress skill very quickly, and having 3-4 days in between squat sessions sometimes is just too much of a gap. They require some bridge in skill practice to allow them to feel “ready” come their primary and secondary days, with an emphasis on that primary day. So within this tertiary squat day, I’ll choose variants typically that are self limiting to lower fatigue, but have some transfer of skill to their competition squat. If you’ve watched my top 3 squat variations video, you’ll know I love pause squats and barefoot squats for this reason. Now this isn’t to say I’ll never program a regular competition squat on a tertiary day, but more commonly I find myself trying to self limit the intensity through variation, while still fulfilling the need for skill practice. 

2.) Volume: There is only so much we can do within 2 squat days. If someone truly needs more volume, a 3rd squat day can be a way to fill that volume gap without creating too stressful of a primary or secondary day squat session. There isn’t a magic number for sets that someone can tolerate on a given day, but at a certain point either a lifter generates too much fatigue from continued sets and/or we see form degradation as the sets proceed. So with that, it could serve the lifter better to take some of that back off volume and distribute it into a 3rd squat day. And big emphasis on back off volume. I’ve yet to program as a coach a true top set on a tertiary squat day, but rather am taking what would be back off volume on other days and placing it on this 3rd squat day. For example, let’s say a lifter needs 14 total sets. Rather than doing 7 sets on the primary and secondary days, we can distribute these instead as 6 (primary) and 5 (secondary), and then 3 sets on the tertiary day. This most likely is going to result in more productive sessions on all 3 days. And many times when using a 3rd squat day for volume, I am also programming with the consideration of skill practice as well. So really those 2 ideas are combined. 

So when may you not need a 3rd squat day? When either of those 2 reasons cannot be sufficed and you are making progress. We need that 3rd squat day to benefit the training week as a whole, not take away. And too often people ramp up volume or frequency for the sake of those magic gains, and instead what happens is they are hindering their recovery. In my weekly training split video, I break this down fully, but there is a fatigue cost for that tertiary day. While it may be much lower than let’s say the primary day, you are still doing work, so there is a cost. And that cost within the sum of the week has to equate to adequate recovery upon return to that primary day. 

Brandon is a good example of a lifter recently that I dropped from 3 days a week squatting down to 2. While 3 days wasn’t going bad and we were seeing some progress, it was noticeable that he just never felt fully recovered come his primary squat day. So recently we took out his tertiary squat day, and as seen above, there has been a pretty dramatic difference in a very short time. On the left is 485×2 and on the right is 490×2 (CLICK HERE). While there are other factors at play, what we saw was that now on his primary squat day the feedback I got consistently was “I feel amazing”. Whereas before, some days felt good, some days amazing, some days just okay, and some days not great. It was a little all over the place depending on the week. And I just had a hunch that the Saturday tertiary day was interrupting his recovery a bit too much leading into his Monday primary day. Sure enough as soon as we took that away, you can see what happened with the speed and strength on the 490×2 set. He came back feeling amazing on that day and with no void of skill. So Brandon didn’t need the skill practice and he didn’t need the volume, so therefore he didn’t need a 3rd squat day. I’ll end with how I started, and that is that more isn’t always better. 

Squat Cue: Bring The Lower Obliques To The Thighs

If you watched my YouTube video last week (CLICK HERE), in discussing how to cue the hip hinge, one of my favorite cues is “bringing the lower obliques to the thighs”. I showed this by just simply putting your thumb on your lower oblique, your middle on your thigh, and then pinching them together. Doing so will almost immediately create a pretty solid hinge pattern. Well, it can work in the squat too. Here we have a side by side of @zbroderick83 and a bar tilt issue he was having (CLICK HERE). Breaking this down, he is crunching into that right oblique while lengthening and flaring his left side. Even with trying to cue better reference with the obliques, things just weren’t clicking. If we really focus on what that left side is doing, its improperly hinging and his ribcage is flaring. Even though the squat isn’t a hinge in the same manner as a deadlift, there is still a hinge and hip flexion component. So what I did was I cued Zach to drive his knees forward and allow his chest to lean per normal, but also to actively think about pulling his lower obliques into his thighs. Specifically making sure to reference pulling that left oblique into his left thigh, since that is where the disconnect was occurring. That along with an increased focus on constant bracing, not just inhaling and then forgetting to maintain his brace, had a pretty noticeable effect right away. We can see on the right side video a much better hinge pattern coming from his left side. With not even thinking about maintaining tightness in his left oblique, he naturally did so by thinking about pulling that oblique to meet his thigh. I also included a video of me breaking this down in case you didn’t watch my latest YouTube video (shame shame) to help give better reference as to what this cue entails.

My Top 3 Favorite Deadlift Variations – CLICK HERE

In my final installment of my top 3 variations for each lift, I break down my go-to’s for the deadlift! In this YouTube video, I look at the 3 deadlift variations I find myself programming most often, their benefits, how to do them correctly, when to do them, when not to do them, and how to program them within your training. At least from my coaching and programming style, I’d say the deadlift is the movement that I probably program more to specificity than the others, so I tend to use less variations. I’ve tried other things, but just haven’t seen the carry over. So these 3 variations are my staples and what I find myself falling back on to satisfy the need for variation in the deadlift. Whether that be to self limit, correct movement, manage fatigue, or find a direct transfer of strength. And I will give a small spoiler, in that 1 of those variations is the Romanian Deadlift. I’ve been wanting to do a “how to hinge” video, but this worked perfectly to break down the hinge within my explanation of the “how to” on the RDL. So I will make sure to timestamp each section so if you are more interested in “how to hinge”, you can jump straight to that section. Click the link above to watch!

Deadlift Setup Fix: Set Up Vertically Over The Bar

A simple setup tip in the deadlift that can make a big difference is making sure to set up directly vertical over the bar. With both @jontsang83 and @kegs_and_kilos (CLICK HERE), in these side by sides we can see a very noticeable difference in their ability to maintain position as they wedge in. And while for both of them there were other cues involved in this improvement, the most noticeable in this visual is how they are leveraging the slack vertically on the right side videos. Whereas on the left side, they are setting up well in front of the bar. I cover this setup in detail in my slack pull Youtube video, but with that being 57 minutes long, I did want to pull this tip out of that and make a specific post, as it’s a simple change that can benefit most lifters.

The fact is at some point for the bar to break the floor and maintain its center of gravity over the midfoot, it’s going to have to receive direct vertical tension. Any horizontal tension is going to create a deviation from that optimal bar path and starting position. And while some lifters can make due with starting over the bar and self correcting that position as they wedge, I find this to be a very simple change that is low hanging fruit for many others who continue to struggle with deadlift positioning, especially on sumo. Starting with the arms vertical and shoulder blades directly over the bar allows us to create a more efficient slack pull, as we create that direct vertical tension that is needed, and then use the shoulder joint as our fulcrum to rotate and wedge around. This also tends to coincide with a lifter having more awareness of a proper hinge in their initial setup. People tend to set up over the bar because they just lean over and grab it, instead of hinging to the bar. Take your time, hinge, and let the bar come to your rather than reaching for it.